Songwriter was in Motown dream team

NEW YORK — Lamont Dozier, the middle name of the celebrated Holland-Dozier-Holland team that wrote and produced You Can’t Hurry Love, Heat Wave and dozens of other hits and helped make Motown an essential record company of the 1960s and beyond, has died at age 81.

Dozier’s death was confirmed Tuesday by Paul Lambert, who helped produce the stage musical The First Wives Club that Holland-Dozier-Holland wrote for. Duke Fakir, the last surviving member of the original Four Tops, called Dozier a “beautiful, talented guy” with an uncanny sense of what material worked best for a given group.

“I like to call Holland-DozierHolland ‘tailors of music,’” he said Tuesday during a telephone interview. “They could take any artist, call them into their office, talk to them, listen to them and write them a top 10 song.”

In Motown’s historic, selfdefined rise to the “Sound of Young America,” HollandDozier-Holland stood out even compared to such gifted peers as Smokey Robinson, Stevie Wonder and Barrett Strong. Over a four-year period, 1963-67, Dozier and brothers Brian and Eddie Holland crafted more than 25 top 10 songs and mastered the blend of pop and rhythm and blues that allowed the Detroit label, and founder Berry Gordy, to defy boundaries between Black and white music and rival the Beatles on the airwaves.

For the Four Tops, they wrote Baby I Need Your Loving and Reach Out (I’ll Be There), for

Martha and the Vandellas they wrote Heat Wave and Jimmy Mack, for Marvin Gaye Baby Don’t You Do It and How Sweet It Is (To Be Loved by You). The music lived on through countless soundtracks, samplings and radio airings, in cover versions by the Rolling Stones, Linda Ronstadt, James Taylor and many others and in generations of songwriters and musicians influenced by the Motown sound.

Brian Wilson, Ron Wood and Mick Hucknall were among the many musicians offering tributes Tuesday. Carole King, who with then-husband Gerry Goffin was another leading hitmaker of the ’60s, tweeted that that “striving to keep up with them made us better songwriters.”

The polish of H-D-H was ideally suited for Motown’s signature act, Diana Ross and the Supremes, for whom they wrote 10 No. 1 songs, among them

Where Did Our Love Go, Stop! In the Name of Love and You Can’t Hurry Love. Expectations were so high that when Nothing But Heartaches failed to make the top 10 in 1965, Gordy sent a company memo demanding that Motown only release chart toppers for the Supremes, an order H-D-H obeyed with I Hear a Symphony and several more records.

The prime of H-D-H, and of Motown, ended in 1968 amid questions and legal disputes over royalties and other issues. H-D-H left the label, and neither side would recover.

Holland-Dozier-Holland were inducted into the Songwriters Hall of Fame in 1988 and the Rock and Roll Hall of Fame two years later. On his own, Dozier had a top 20 hit with Trying to Hold on to My Woman, helped produce Aretha Franklin’s Sweet Passion album and collaborated with Eric Clapton and Hucknall among others. His biggest success was co-writing Phil Collins’ chart-topping Two Hearts, from the 1988 movie Buster, a mid-tempo, Motown-style ballad that won a Grammy and Golden Globe and received an Oscar nomination.

H-D-H reunited for a stage production of The First Wives Club, which premiered in 2009, but their time back together was brief and unhappy. Dozier and the Hollands clashed often and Dozier dropped out before the show launched.

Dozier acknowledged that his early success conflicted with his family life, but he eventually settled down with Barbara Ullman, who died in 2021 after more than 40 years of marriage.

His children included the songwriter-record producer Beau Dozier and composer Paris Ray Dozier.

Like so many Motown artists, Dozier was born in Detroit and raised in a family of singers and musicians. He sang in the choir of his Baptist church and his love for words was affirmed by a grade school teacher who, he recalled, liked one of his poems so much she kept it on the blackboard for a month. By the late 1950s, he was a professional singer and eventually signed with Motown, where he first worked with Brian Holland, and then Eddie Holland, who wrote most of the lyrics.

Some of Motown’s biggest hits and catchiest phrases originated from Dozier’s domestic life. He remembered his grandfather’s addressing women as “Sugar pie, honey bunch,” the opening words and ongoing refrain of the Four Tops’ I Can’t Help Myself (Sugar Pie, Honey Bunch). The Four Tops hit “Bernadette” was inspired by all three songwriters having troubles with women named Bernadette, while an argument with another Dozier girlfriend helped inspire a Supremes favourite.

“She was pretty heated up because I was quite the ladies’ man at that time and I’d been cheating on her,” Dozier told the Guardian. “So she started telling me off and swinging at me until I said, ‘Stop! In the name of love!’ And as soon as I’d said it I heard a cash register in my head and laughed. My girlfriend didn’t think it was very amusing: we broke up. The only ones who were happy about it were the Supremes.”